Although generally considered an historic technique, especially prominent in the 19th century, contact print qualities are now being used by many photographers as part of their practice. As a return to traditional processes, contact prints reflect very particular and individualistic concerns, including those which necessitate contemplation and a belief in the unity of technique and expression. In comparison to the process of enlargement, contact prints are made by placing the printing paper in contact with the negative. The result is an impressively sharp image, but it is the same size as the negative, so unwieldy cameras that can take a large negative are required. Curated by Paul McNamara, and with a catalogue introduced by Athol McCredie.
Opening function
2pm. Paul McNamara and photographic historian Dr Erika Wolf discuss the contact prints in Close-Up.
3pm. Sandy Callister talks about The Hidden Faces of War with the launch of her new book The Face Of War.
